冬天，蒂妲絲雲(yún)頓訪落腳於法國(guó)小山四十餘年的好友約伯格，兩人漫步於靄白雪的村莊、或或淺地，在小屋中起童年記憶與歷史接。春天，透過凝動(dòng)物，經(jīng)歷一場(chǎng)人與動(dòng)物關(guān)係的思辨夏天，於山村中和兩藝術(shù)家漫談當(dāng)代治，佐以舊時(shí)影片音樂，探索藝術(shù)如述說政治。秋天，妲再度帶著孩子拜約翰以及約翰之子在視野遼闊的山村活中，發(fā)現(xiàn)傳承的念存在於所觀看的一片風(fēng)景。四部短象徵四季的更迭，山村的風(fēng)景、動(dòng)物生活則是年復(fù)一年循環(huán)，體現(xiàn)約翰口「無窮延伸的此時(shí)刻」。他的思想及生觀與古老的農(nóng)舍青翠的綠地、放牧牛群相呼相應(yīng)，說這個(gè)世界周遭人物物的故事，阿爾卑山裡的小村莊，則最迷人的舞臺(tái)。（上來自2016臺(tái)北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
