哈迪遜（DJ·考爾斯 DJ Qualls 飾）是一個(gè)眾人眼中的討厭鬼，即便很就要迎來(lái)高中生活，但這一況卻從未有過(guò)改變。從小到都在嘲笑和欺壓中長(zhǎng)大的哈遜終于忍耐到了極限，他徹隨著性子大鬧了一回，卻也此經(jīng)歷了牢獄之災(zāi)。在獄中哈迪遜結(jié)識(shí)了名叫路德（艾·格里芬 Eddie Griffin 飾）的男人，路德是一個(gè)經(jīng)驗(yàn)豐富的過(guò)來(lái)人正是他教會(huì)了哈迪遜許多做的技巧和道理。出獄后的哈遜決定改名換姓重新做人，不其然，利用路德教他的方，哈迪遜很快便得到了周遭伴的喜愛(ài)和信任。悲慘的生眼看就要成為過(guò)去，就在這關(guān)鍵時(shí)刻，一個(gè)舊日校友的現(xiàn)令哈迪遜陷入了謊言被揭的危機(jī)?
在婚前的身派對(duì)上一位人力源經(jīng)理意感染上了尸病毒。必須用自的意志力制對(duì)人腦食用，同還必須想法逃脫僵獵人的跟，他這種奇怪的舉都招來(lái)未妻的強(qiáng)烈滿和憤怒...... 《僵尸蚊子》（A Little Bit Zombie）是一部融合僵片+搞笑片元素的恐片，突破以往僵尸帶給我們血腥重口印象，而看上去相?的滑稽有，令人期~ 結(jié)婚很難，而當(dāng)被一只僵蚊子攻擊后結(jié)婚將更難，沒(méi)，就是“尸蚊子”別以為只人才會(huì)變僵尸，在子中也有尸的品種這聽起來(lái)不是非常不可思議且創(chuàng)意十？近日，部《僵尸子》（A Little Bit Zombie）曝光了一支新預(yù)告片，上去真是當(dāng)?shù)幕?當(dāng)被一支子咬完之，癥狀要一般的僵低的多，過(guò)在未婚面前的種怪異舉動(dòng)是不免讓擔(dān)心如何混過(guò)關(guān)......
電影講述了上世紀(jì)九十年青鳥的哈克小鎮(zhèn)，四個(gè)少年各自的生命之。扎哈拉斯正在備受父親的煎熬后者因曾是一個(gè)詐騙犯而找不到作，為了幫助父親，他不櫟不在米加工廠打工。巴拉潘有一把好子，能夠?qū)ⅰ叭f(wàn)?，旣悂啞背?娓動(dòng)聽，然而校園生活教會(huì)他的使用自己的拳頭而不是聲驩疏。扎巴則在流浪在村子里的垃圾堆中尋找可以賣的廢金屬，他與其他名同齡離家出走的男孩子睡在廢的隧道中。阿斯蘭正在為熊山藥學(xué)力，然而當(dāng)他說(shuō)服自己的女朋友胎之后，他的人格發(fā)生了徹底的變。 A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016
