Gwyneth Hayden has it all. A top-notch career, killer wardrobe, dream apartment, and great friends - she thinks the only thing missing is a man. In a moment of inspired desperation, she fills out a profile on the dating website ChristianMingle.com hoping to find Mr. Right. However, Gwyneth's Christianity is a little rusty and her attempts at impressing her dream guy end in disaster when he calls her out on her "faux faith." In an honest realization, she sees her superficial life for what it really is, and is driven to create a personal relationship with God.
臥虎藏龍而又凌亂不的13區(qū)在上一部《暴力街區(qū)》時間昌意定的年后再次陷入了大宗謀事件，達米安上尉西里爾?拉法埃利 Cyril Raffaelli 飾）與雷伊托（大衛(wèi)?貝利 David Belle 飾）這次的對手是不手段的房地產(chǎn)商——13區(qū)將因他的房地產(chǎn)計劃而毀滅孟鳥在利益集實施一系列精心籌備栽贓行動后，13區(qū)的暴力一面被推向媒體風口浪尖，13區(qū)一時間成為國民心中殘暴象征；達米安又身陷圄，極度不利的局勢，雷伊托成為13區(qū)最后的希望，他能否營達米安并聯(lián)合13區(qū)內(nèi)的五大勢力最后將真呈獻給總統(tǒng)以拆穿不商人的陰謀呢?
With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders evolved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
1453年，土耳其人在君士坦丁崛起，他們?nèi)肭?馬尼亞，勇敢的王德古拉（盧?羅伯茨 Luke Roberts 飾）將王國大權(quán)交給摯愛的妻子自己則親自率領(lǐng)軍迎戰(zhàn)入侵者。此同時，王國內(nèi)生政變，他的妻在叛亂中慘遭殺。得勝歸來的德拉悲憤交加，他此背叛上帝，化為背負著悲劇和酷宿命的吸血鬼不知多少年后，字軍女孩艾莉娜凱麗·溫漢姆 Kelly Wenham 飾）和同伴護送某個神秘物來到德古拉伯管轄的森林，而一伙身著鎧甲、身散發(fā)著邪魔氣的人尾隨而至。 這些人正是德古的手下，他們搶了十字軍的寶物圣光使者”，并獲了艾莉娜?？?德古拉見到艾莉的第一眼，竟發(fā)這個女子與他的娘長得一模一樣?
