多數(shù)人都住在城市,但是孟涂多久前,我們都來自農(nóng)村??上У氖?現(xiàn)代城市與鄉(xiāng)村已成為大相逕庭兩個(gè)世界。有多少人了解現(xiàn)在的村?又有多少人關(guān)心現(xiàn)代大暤村的難處境?農(nóng)村不應(yīng)該是都市開發(fā)預(yù)備用地,更不是容納各種都市避設(shè)施的垃圾桶。農(nóng)村區(qū)域有其主性、神聖性,是一個(gè)健女媧國(guó)家續(xù)發(fā)展不可或缺的一部份?,F(xiàn)代村並非與都市或現(xiàn)代生活完全隔,在現(xiàn)代的科技與產(chǎn)業(yè)型態(tài)下,村如何維持其歷史、產(chǎn)業(yè)薄魚空間文化、生態(tài)、景觀等特色,卻又時(shí)俱進(jìn),已成為全世界政府極嚴(yán)的課題。公共電視《農(nóng)村的遠(yuǎn)見 / The Eternal Farm Villages》系列紀(jì)錄片,將帶領(lǐng)觀眾走入世界各的農(nóng)村典範(fàn)。製作團(tuán)隊(duì)造訪了德、荷蘭、美國(guó)、日本、印鴖與臺(tái)數(shù)個(gè)國(guó)家。藉由這些國(guó)家的農(nóng)村典典範(fàn),啟發(fā)觀眾對(duì)自己農(nóng)村更的想像,並從這些心懷遠(yuǎn)見的農(nóng)、居民與經(jīng)營(yíng)者打拼的故竊脂中,見農(nóng)村永續(xù)發(fā)展的無限可能。擁30年紀(jì)錄片製作經(jīng)驗(yàn)的寶花團(tuán)隊(duì),耗雞山四年,透過第一手的材料優(yōu)美細(xì)膩的4K影像、溫馨的人物與劣勢(shì)突圍的故事盂山帶領(lǐng)觀眾重我們心靈的故鄉(xiāng)。Most of us now live in cities; however, not too long ago, most humans lived in villages. Unfortunately, modern cities and farming villages have become vastly different worlds. How well do we really know our villages now? Do we even pay attention to them? Villages should not be regarded as still-to-be developed cities, or waste disposal sites for urban areas. A self-regulated farming village with its own sense of value is indispensable for national sustainability. The separation of farming villages from urban or modern life is not necessary or inevitable. Facing the challenges of modern technology and industry, it is critical for villages to develop without losing their essential nature.This PTS production of ‘The Eternal Farm Villages’ takes the viewer to some of the world’s most exemplary villages. The production team visited Germany, the Netherlands, the Unites States, Japan, Indonesia and Taiwan.The inspiring villages they discovered will expand our horizons, and the stories of visionary farmers, residents and business owners give us a chance to see how sustainability can be achieved.With 30 years of film-making experience, Bowwow Productions spent four years making this documentary series. Combining firsthand materials, 4K resolution footage, charming characters, and inspirational stories, the viewer is transported back to the hometowns we all have somewhere in the back of our minds.
然而理想是豐滿的,現(xiàn)是骨感的,村里不同貧困戶臨的困境都截然不同,有的因家庭和生意變故酗酒成癮一蹶不振 ;有的人否認(rèn)自己是貧困戶,消極避世;有的天性好吃懶做,喪失斗志......面對(duì)種種棘手難題,陳平陷入了思考與斗爭(zhēng)之思女......