2003年防彈武僧(原聲版)在美國(guó)上映，1080p。防彈武僧(原聲版)是一部精彩絕的動(dòng)作片。彈武僧(原聲版)的主演周潤(rùn)發(fā)將整個(gè)事演得生動(dòng)象，使防彈僧(原聲版)引起了全球愛(ài)好者的關(guān)。防彈武僧(原聲版)的劇情是一卷神的中國(guó)古代軸，由于蘊(yùn)著巨大的力，邪惡的壞們個(gè)個(gè)都想到它來(lái)統(tǒng)治界；一個(gè)來(lái)中國(guó)西藏的名武僧（周發(fā) 飾），為了保護(hù)著卷軸，一直過(guò)顛沛流離的活，他幾乎遍了世界的一個(gè)角落直有一天，武覺(jué)得累了，是，他開(kāi)始色合適的人為自己的弟，將這個(gè)艱的任務(wù)繼承去。街頭混卡爾（西恩威廉?斯科 Seann William Scott 飾）偶然中幫武僧了圍，或許心靈感應(yīng)，僧感應(yīng)到這混小子就是己的傳人了于是決定將身武功傳給爾?？栭_(kāi)了他對(duì)抗邪的艱難宿命?
1989年危情殺機(jī)在美國(guó)上，HD。危情殺機(jī)是一部精彩倫的劇情片。情殺機(jī)的主演Lee,Remick,Marlee,Matlin,Michael,O'Keefe將整個(gè)故事演得生動(dòng)象，使危情殺引起了全球的好者的關(guān)注。情殺機(jī)的劇情 Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her. ?
