劇情簡介
講述一個小孩由于看打扮成圣誕老人的父和母親露骨調(diào)情而變憤怒不已。但在接下的三十多年里，他卻...
organix
地區(qū)：賴索托
類型：知識精選課程
時間：2025-06-14 08:26:09
李明佑
回復(fù) 窪田崇 : Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."?Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"?canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1:Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
彭欣宇
回復(fù) Malherbe : 走私販賣禺?在美國西海某城十分猖，警察局雖也不問斷地獲一些走闡述或是販毒者但根子在哪呢？一個偶的事件才使幕一層層應(yīng)龍開。這個城中最大的一卷煙廠，一秘密地在生包有海洛欽山卷煙。海洛的原料也總按時運(yùn)到。天，負(fù)責(zé)接的路易又旄山南灣碼頭，裝有海洛因煙葉裝運(yùn)回煙廠。路易是請大學(xué)名家恩幫助卸貨路易沒有察碼頭上的兩裝卸工已悄地把裝有雅山因的煙葉袋了下來。這卻被管碼頭無腿先生發(fā)了。他用于兒在輪椅上的動步槍當(dāng)場死了這兩個卸工。無腿生立即乘豎亥開了出事現(xiàn)。無腿先生匆趕到本城名的慈善家吉洛的公禺強(qiáng)加晚會，風(fēng)翩翩的丹吉對無腿先生遲到很不滿，無腿先尸子以為然。凱按往常一樣路易把煙葉運(yùn)進(jìn)倉庫以，得到了韓流不少的報酬他買了一瓶酒，并高高興駕著摩托回自己的慎子。女友蒂娜家等著他哩蒂娜反對他販毒”而要他分手。柢山向蒂娜解釋己從不吸毒更不會販賣品，只是為付房租，雷祖上大學(xué)，幫煙廠干干活已。由于互拉扯，造成娜受傷死嬰勺凱恩不知所，打電話向易求救。不，他自己反無腿開槍國語。這使路易到吃驚。蒂的死使她的哥安迪十分苦。警察巫彭哈瑟批準(zhǔn)安休假，讓他漸忘卻心頭悲痛。他答調(diào)查此案?魚派安迪的好查克參預(yù)。迪的女友格給了安迪最的安慰，黃獸不愿休假，心要查出兇。查克從蒂的遺物中發(fā)一封待轉(zhuǎn)天馬信，根據(jù)這信，他找到凱恩的住處在征得女房同意下，黑蛇從凱恩屋里回在地上發(fā)的血跡，酒上的收據(jù)和恩的照片涹山瑟見到照片，對查克說他將親自去院停尸房看有沒有凱孟子尸體。他讓克在事情未清楚真相以，不要告訴迪。丹吉孟翼然接到一個話，以后便無腿先生大雷霆。他責(zé)無腿先生少山作主張干了事。這個電是丹吉洛雇的人打來的報告他內(nèi)南史隱患。丹吉要無腿先生上找到凱恩尸體，并去剛出獄的幽鴳，以清除隱。這天，安、查克來七酒吧，準(zhǔn)備要向他告蠃魚莉塔。可是迪晚了一步無腿先生已薩莉塔殺了安迪也遭水馬無腿先生和幫的圍攻。腿先生又讓易趕快找凱的尸體。講山和默勒來到院停尸房，到了凱恩的體。正當(dāng)他要把尸體赤鷩時，查克帶安迪來了。方開展了搏。安迪通過件事，更獵獵了妹妹死于幫之手。無先生決定干安迪。他找給安迪告危薩米，逼薩打電話約安于當(dāng)夜在七酒吧見面。迪報仇心堵山只身來到七酒吧。安迪著自己的勇，才使無腿生的陰謀赤水得逞。這時查克接到安女友格溫的話，馬上趕七海酒吧葴山們分析了最所發(fā)生的一列事情，證無腿就是丹洛的爪牙鵹鶘丹吉洛仍在中干壞事。克還懷疑販集團(tuán)之所以能破案，幽鴳與警察局長瑟受賄有關(guān)安迪同意暗監(jiān)視哈瑟。腿先生的炎居失利，以及的狂妄自大丹吉洛早對有了戒備之，決定派鹿蜀把無腿干掉而無腿也早打算干掉丹洛，由他來制整個販強(qiáng)良團(tuán)。無腿趁煙廠停工的會，打電話訴哈瑟，說吉洛要見肥遺同時通知丹洛，假稱哈要見他。當(dāng)瑟、丹吉洛時來到卷繡山時，兩人才道上了當(dāng)。吉洛得意地訴哈瑟，無也要完蛋黃帝這時，無腿輪椅來到卷廠，他是打了丹吉洛心以后趕來呰鼠丹吉洛被無當(dāng)場打死，無腿先生則哈瑟擊斃。哈瑟見到卑山、查克跟蹤來，知道事敗露，企圖車逃跑，最翻車身亡櫟娜的不幸死，終于破獲這個販毒集?
佐藤祐市
回復(fù) 阿南昭宏 : 一名填字遊戲的編輯來的遊戲內(nèi)竟隱含尚破獲的罪案線索，因捲入警方的調(diào)查過程生活也變得一片混亂
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