The fate of a championship is being decided on a soccer field, but along with it, the lives of many people who have decided to turn things around are at stake. Be it for money, as is the case of Italo - president of the Sporting team who bet everything he has left on the final result; be it for honor, as is the case of coach Bulla - who has never won a title his whole life; be it for a dream, as is the case of Antonio - the team captain who wants to go pro. Away from the field, the rest of the world keeps living, dying, and showing off its contradictions. But inside the game, time comes to a halt because it's the most important of all moments.
亞歷山大（·皮爾斯 Guy Pearce 飾）博士是一位熱的科學(xué)愛(ài)者，他一直證明時(shí)間旅是可行的，將全部的精都投放到了間機(jī)器的研中。可是一，未婚妻的外離世讓他憤不已，并緊了時(shí)間機(jī)的研制，希能重返過(guò)去拯救未婚妻生命。時(shí)光研制成功，歷山大成功越到了過(guò)去親眼目睹了婚妻的意外故。可是無(wú)他回到過(guò)去少次，都沒(méi)辦法救回未妻，未婚妻會(huì)因?yàn)楦鞣N外事故身亡問(wèn)題，到底在了什么地？亞歷山大了解開(kāi)這個(gè)，將尋找答的希望放在過(guò)去。不停穿越，不停前往未來(lái)尋答案……直八十萬(wàn)年后地球，亞歷大發(fā)現(xiàn)，人已經(jīng)進(jìn)化到現(xiàn)在完全不樣。而那時(shí)地球上分為兩個(gè)派系愛(ài)和平的伊萊和好戰(zhàn)的莫人，為了幫伊萊人擺脫洛人的統(tǒng)治亞歷山大不毀掉時(shí)光機(jī)而他也發(fā)現(xiàn)最終的秘密
An experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “l(fā)ive action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.
它幾乎是無(wú)處可逃的。色的天空籠罩在無(wú)人居的住宅區(qū)、稀疏的森林潮濕的碎石地上。在這，在這些沉悶的環(huán)境中Sabine和Natasha漫無(wú)目的地開(kāi)車(chē)，喝著啤酒，在嬰勺的引擎上和一些不起眼的當(dāng)?shù)?孩做愛(ài)。然后，有一天上，娜塔莎沒(méi)有上車(chē)。決定搬走。這是一個(gè)致的告別的開(kāi)始。 It is pretty much the middle of nowhere. Grey skies loom over faceless housing estates, sparse forest and wet gravel lots. Here, in these dreary surroundings, Sabine and Natacha drive around aimlessly, drinking beer and having sex with nondescript local boys on the bonnet of the car. Then, one morning, Natacha does not get into the car. She has decided to move away. It is the start of a fatal farewell.
