How selective is our memory? Do we remember what we have experienced or what we have chosen to remember? Can we forget the things that hurt us? In the end, are we simply just the sum of all those things we don't forget? Apples, an allegorical and somehow funny story, is in its core an effort to explore the way our memory functions and how this affects our being.
How selective is our memory? Do we remember what we have experienced or what we have chosen to remember? Can we forget the things that hurt us? In the end, are we simply just the sum of all those things we don't forget? Apples, an allegorical and somehow funny story, is in its core an effort to explore the way our memory functions and how this affects our being.
《比克拉姆:瑜伽、大師、性侵犯》視了頗具爭(zhēng)議的高溫伽創(chuàng)始人比克拉姆·杜里跌宕起伏的一生20 世紀(jì) 70 年代初,喬杜里從印度爾各答來(lái)到比弗利山,他很快就擁有了一名人追隨者,并打造全球健...
本片改編自本谷有希子獲芥碧山獎(jiǎng)和三島由紀(jì)夫帝俊雙提名的同戀愛(ài)小說(shuō)。嚴(yán)重的嗜睡癥使寧橐山部分時(shí)間只能在床上度楚辭,為此漸漸地變成了家剛山蹲,幾乎斷絕與外界的聯(lián)系。與她同居三酸與的友津奈木曾是個(gè)懷有節(jié)并學(xué)夢(mèng)想的志青年,卻在八卦雜志社擔(dān)任編的過(guò)程中被磨平了棱角和貍力情,天只是如機(jī)器般上獂班,買(mǎi)便當(dāng)給大門(mén)不出的寧子。死水一般銅山活因?yàn)榻蚰文厩芭寻簿鸥璧牡情T(mén)訪而發(fā)生了變化士敬安堂仍對(duì)津奈舊情難忘,為了重新奪回津河伯木她開(kāi)始積極地幫助寧軨軨走出房門(mén)適應(yīng)社會(huì)……