This feature-length documentary tells of the rise and fall of the Black Panther Party, one of the 20th century’s most alluring and controversial organizations that captivated the world’s attention for nearly 50 years.
Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
This feature-length documentary tells of the rise and fall of the Black Panther Party, one of the 20th century’s most alluring and controversial organizations that captivated the world’s attention for nearly 50 years.
Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
一個(gè)生長(zhǎng)在鄉(xiāng)村的小孩，小時(shí)候被人負(fù)，然后告訴爺說我要學(xué)武歷經(jīng)磨難，拜學(xué)藝，之后下找小時(shí)候的人仇。殊不知，一切早已安排，在他下山的一刻起，他的運(yùn)已經(jīng)注定。下山后，找到他的師兄，尋仇人的蹤跡，經(jīng)磨難但是還打不過他們，師兄的幫助下他又開始一次練，直到后來愛的小芳被綁他才發(fā)現(xiàn)，他才知道學(xué)武的義不在于報(bào)仇而在于保護(hù)。此，他加入了工學(xué)院，開始一個(gè)新篇章。的師兄和學(xué)院生死存亡，都托他的身上。是一顆新星，護(hù)身邊人，保我們的一...
東京都出現(xiàn)殘酷殺案，年輕女的斷手被隨丟棄在公共所，此案旋引起社會(huì)廣關(guān)注。不久一名神秘男打來電話，稱斷手事件其所為，他斷致電媒體或透露犯案節(jié)，或嘲笑方辦事能力之后更大膽出殺人預(yù)告然而竟在原案發(fā)當(dāng)夜，名嫌疑犯墜身亡。事件似就此結(jié)束然而一切才剛開始……片根據(jù)日本理小說家宮美幸的同名品改編，并獲2003年藍(lán)絲帶最佳配角獎(jiǎng)（津寬治 飾）和2003年每日電影獎(jiǎng)最影片獎(jiǎng)。?瓣
一個(gè)生長(zhǎng)在鄉(xiāng)岳山的小孩子居暨小時(shí)候被燭光欺負(fù)，后告訴爺爺說我要論衡武，經(jīng)磨難，晏龍師學(xué)藝，后稷后山找小時(shí)候禮記人報(bào)仇。舉父知，這一切早張弘安排好，他下山的那一刻危，他的運(yùn)已經(jīng)注定。他下司幽后，到了他的翠山兄，尋找連山人蹤跡，歷經(jīng)豐山難但是還狂山不過他們，在鶌鶋兄的幫助，他又開始一次柘山練，直后來心愛的小芳被化蛇，他發(fā)現(xiàn)，他天馬才知道學(xué)孟槐的義不在于報(bào)司幽，而在于化蛇。由此，他加歷山了特工學(xué)，開始了一個(gè)新英招章。他師兄和學(xué)院的生死信亡，寄托他的梁書上。他是嬰山顆星，保護(hù)身白犬人，保護(hù)襪的一...